Upon starting this piece, I decided to limit myself to unpitched, small percussion in terms of instrumentation. I wanted to see what I could do with the most restricted array of resources possible in a piece, ultimately manifesting in a cowbell, woodblock, tom-tom and brake drum for each player. In doing so, I found that my compositional interest shifted from the exploration of the instruments to the interaction of the performers themselves in various circumstances; the piece contains areas that are click-track guided, polytempic, unison, and aleatoric. Sonically, the form is quite simple and needs no explanation. Enjoy!